Miguel Angel Martín Espada
Judge C.N.J./F.O.C.D.E. of Song T. Espa6nol
PREVIOUS CONSIDERATIONS
The Spanish canaricultores we can be safe to tell
on an important number of fans who, removing time from where there
is no it, are completely devoted to develop and to teach the technical
principles, theoretical and practical, on that the young of the
canary to all that one is based that requires its advice. The work
that these gentlemen come carrying out, through articles is truely
praiseworthy well and works in specialized magazines, well by means
of char them and colloquies in the associations. Be worth these
lines to be thankful publicly its disinterested work, since, lamentably,
the fans no usually we repair in which it costs to clear hours to
the work or the family in order to dedicate them to this pretty
one and it burnishes educative task that contributes to the qualitative
improvement of the Spanish Sport Ornithology.
The technical level of the criadores of canaries,
at the moment, we can consider that it is elevated. Nevertheless,
in branches of our liking as it is the canaricultura of song we
move in a very small degree of knowledge. It seems that it worries
to us more to discuss on the scores, the elimination of these or
those turns or to establish controversies, own of metaphysics
about the nomination of such. We forgot, really, that without
the canaries, the fans and directives clear that to follow for the
work of the song canaries, we cannot consider so circumstantial
subjects at least, sometimes, as the nomination of the different
passages or turns that conform his melodma. A clear unconcern by
as important subjects exists as the inheritance of the song; that
it is in which it bases this difficult task of obtaining good singers.
When we spoke with the criadores of its methods
and work systems, we were, in most of the occasions, whereupon other
times shine by their absence, the explanations are so fantastic
that they seem extracted of a science story fiction. In summary,
most of the fans lacks of the mini formation in matters like the
Genetics or the influence of factors such as the feeding and
the illumination in the song of the birds.
The complexity of this branch of the canaricultura,
whose difficulty amply is demonstrated, deserves a serious study,
a study that must be made by each one of its cultivators and whose
conclusions must be shared for, with time, to obtain firm bases
of which it can divide to all canaricultor novel. We have that to
take example from our companions of other branches and not to have
fear to raise to controversies on these so necessary subjects, position
that from it will arise that spirit of overcoming and search of
the truth there that accompanies all investigator.
It is certain that we do not have laboratories,
neither of highly qualified experts, nor so at least of the absolute
certainty of the exactitude of our postulates and, generally, of
means necessary minimums for its verification, but we have something
that it impels to us towards ahead, that something is the anxiety
to know that innate curiosity that has taken to the
man to the place where finds and that it difference of the rest
of the creatures who accompany in their trip by the time and the
space to him.
The subjects that next we are going to treat
they are fruit of the experience shared between canaricultores of
all national geography, which they put in front
to his own ego the satisfaction to see like the object of
his liking, " the canaricultura of song " is developed
and consolidated in a country, as it is Spain where as much
admires and loves the singing birds
IS HEREDITARY THE SONG OF THE CANARY?
The key question of which it is due to start off
is if the song of the canary is hereditary or no. One of the debated
questions more in etologma science that studies the guidelines
of the behavior animal, is indeed the referred one to the song of
the birds. We could to begin to mention authors and theories, as
well as experiments, but so single they would cause confusion to
the reader and they would turn a difficult and tedious task the
reading of these lines. By that reason we will limit ourselves to
summarize the main lines in which the work of the etslogos is developed
ornithologists and canaricultores more prestigious
than have taken care of the subject.
We can distinguish three theories, that, really,
they correspond in a while with the majority currents followed in
the etologma or another one of his short history.
1:) In the first place, we found to which defend
that the song of the birds is learned by means of hearing of the
song of adult units.
2:) On the other hand, other authors consider
that the song is innate and that the guidelines so that
this one is developed in each concrete species depend exclusively
on the genetic inheritance.
3:) Last, we found a position eclectic, intermediate,
according to which the innate thing and the acquired
thing or learning is combined. The basic guidelines of the
song of each species they would be innate but it would exist the
possibility of enriching it by means of learning.
In a plane purely scientist the third theory
is followed nowadays and the one that corresponds in better measurement
with the studies and made experiments. Not doubt that fits the song
is hereditary, but also can to have part learned, which explains
the ability that has many birds to assimilate in their song what
they listen, although is own of the song of other species, or to
even learn to imitate certain other peoplis sounds to the pajaril
world This last end has been ratified by the ornithologists
in his observations of field, arriving to indicate species whose
song is nourished to a great extent of passages of the one of others
(the mentioned examples more they are the pinto estornino
and sinsonte American . Also there are families, like for
example the one of alazdidos (the larks, totovmas,
etc.), in which the influence of species in others of the same one
family is clear, as she indicates to J. Rochi In last place,
are species that by the complexity and wealth of their song not
only hardly copies of others but that they exert a clear influence
on them (so it is the case of the ruise6nor .
In the plane of the canaricultura, we found
the following positions, although the defense of one or another
option depend in many occasions of the own interests of the criadores,
since they try to justify his particular system and others show
preference for a determined approach of the culture of the race:
1:) Defending of the necessity to use adult canaries
like teachers to educate the young people, since they consider
that the assembly of turns that conform the song of the race not
transmits genetically and it is precise that this one is inculcado
through hearing of the mentioned professors This position
some does not have scientific base and any criador can observe it
directly in its house.
2:) Those that, even recognizing that the song
is hereditary, raise the necessity to complement it with teachers
This position supposes to exactly take the conclusions from
etolsgos and ornithologists with respect to the
singing birds in natural conditions. According to which I have been
able to read about the Malinois canary on words of prestigious
international judges of this variety, the culture of this race is
based on this system of selection. Part of a hereditary base, that
is the predisposition to the watery song, and complements the repertoire
of the units by means of hearing of one or several teachers
who in some cases are specialized in the execution of certain types
of turns. This explains the ample repertoire that has the units
of greater was worth and the fact that there is not ceiling or limit
of score in Belgian race
Although the conclusions of etslogos
and ornithologists I consider that they are correct and
the position of the criadores of Malinois are justified
by the origin and system of selection of the race, is not permissible
this position for the rest of races of song canaries. We must reject
this position, safe in the case of the indicated exceptions, when
considering that education with professors nonsingle is not necessary
but that it hides, on the part of most of its defenders, the intention
to preserve the song of quality unit that already they have, with
the purpose of avoiding the uncertainty that supposes to have to
wait for until the song of the canary young people matures. This
practice prevents the evolution of the own song of the canary, since
the chicken will limit itself to imitate the best thing than the
song of the teacher can On the other hand canoro is necessary
to mention the tedious thing to have the same repertoire every year,
with slight variations in the best one of the cases, in our deposit.
3:) In consonancia with the exposed thing in
the previous paragraph, we aligned with which defend at any cost
that the song of the canary is hereditary and that the work of made
selection, with the objective to enrich the genetic patrimony
canoro of our canaries and the variety of repertoire obtained
by means of the same one, make the use unnecessary of teachers
since they suppose to limit the possibilities of creation of
new turns and estrofas on the part of our units. The selection method
of the Roller canary and the canary of Spanish Song
(Timbrado) it guarantees that the units of these races transmit
to their descendants all the information necessary to make a varied
song that reunites the racial characteristics demanded by its respective
codes
However, third position is necessary to make
a series of matizaciones to this. The canary can make all that sound
that allows him to create the different parts that conform their
complex apparatus of song whose key piece is the phonation
device, siringe To greater complexity of the apparatus
of song greater interpretativa capacity. This interpretativa
wealth is not limited single its own song, the canary is by nature
a good imitador, being able, in most of the cases, to leave the
review of its song to imitate or to copy the song of other
canaries, volunteer (masterful or involuntarily. In order
to favor that our canary young people are able to make arise the
song to whom it has had the received inheritance to them his ancestors
it will be necessary that we avoid that they listen to the song
of adult birds. We can affirm that what the
canary inherits is the innate predisposition to make an indetermine
series, but determineable, of turns, that will be shaped in one
melodma through a period of review marked by the morphology,
more or less suitable, of the unit and by the factors that
have surrounded to the same one during the maturation process.
This does that the song of the canary young people in our
deposits varies of a year for another one, but always keeping structural
similarities; more accusing in the lines worked in consanguinity,
to the supposition the work of a these greater concretion of the
canoras possibilities of the animal: smaller genotmpica variation.
The genetic wealth of the song canaries makes
the education with professors unnecessary, that supposes, like already
we have aimed, to impoverish the repertoire unnecessarily canoro
of our units, when preventing that the chickens culminate the evolution
of their review that without a doubt some would be translated
in a different song and with probabilities certain to be of greater
quality than that one than we have forced to them to imitate. To
this it is united that a unit educated with teachers does
not offer the due guarantees to us on which is going to transmit
to its descendants, only which we will know is its greater or smaller
capacity of imitation and assimilation, in relation to which has
been inculcado to him by means of hearing of adult units.
In summary of previously exposed, the song
of the birds has an innate part and acquired other, the criadores
of races of canaries specialized for the canora function we looked
for the development of the innate part in damage of the acquired
part, with the objective to obtain a genetic pattern of the possible
richest song, than melodma allows our units to construct
one based on the wished parameters of selection.
Most of the opposite argumentations to the
hereditary or innate base of the song of the birds that here we
defend, are based on drawn erroneous conclusions as a result of
experiments that, from a principle, did not offer the suitable guarantees
to obtain their objective. For example, experiments made with unit
are mentioned frequently, of different species, that have been placed
individually in soundproof places and, even, experiments based on
the observation are described of unit to which it has been deprived
of the sense of the ear. In the first case, the isolated units acoustic
made a rudimentary song extremely, of great poverty and it was even
appraised a clear infantilism or subdevelopment in the same one.
In the second case, the deaf units as soon as they were able to
make a song properly saying, rather emitted a succession of noises
These results made reach the conclusion, to those who made
them, of which the song of the birds was not hereditary but learned
by means of hearing of adult units of their same species. Nowadays
we know that so that the song of the birds is developed it is precise
that a series of stimuli occurs that they trigger that the unit
puts into operation the mechanisms precise physicists that they
make possible it. Thus, the coexistence of different individuals
in a same territory or voladero, does that between they are social
relations in which the rivalry to the hour to feed themselves, to
occupy a certain place in the hangers, to establish a hierarchic
scale, etc., they make arise instincts like the one of territorialidad,
fundamental to include/understand the meaning of the song, and that
put into operation the precise conditions so that of the hormonal
development that determines the process of evolution of the song.
An isolated unit completely lacks those stimuli, the song is a communication
form, with whom it is going away to communicate if it does not have
other same types with which to establish social relations, of the
Hindu to him that they are, it lacks external stimuli that harness
the development canoro.
To this it is necessary to unite the fact that
the young birds complement themselves to each other, learn of others,
during the time space in which its song is single a review
the etslogos call to this phase of the canora evolution plastic
song since it supposes a period of test of which soon
it will be his adult song or stable song This complementariness
between the songs of noveles is the foundation of that it is not
precise to use masterful in the song canaries, the work
of the innate thing does that with the single reference of his beautiful
and complex genetic pattern they can obtain melodmas. Most
of the species of birds that are used in the experiments bases their
song of adult, mainly, in the learned thing and for that reason
when leaving them isolated in group, without adults of whom they
can copy, their song, in spite of responding to the basic pattern
of the species, much less is varied than the one of the units that
are developed in freedom. Validity to observations done with birds
of field or domestic species cannot be given that have not been
selected for the song, in these cases yes needs hearing adults to
obtain more or less complex songs, but it is by the fact that there
has been no a selection that took care of the patterns that we used
in canaricultura of song. When the conclusions based on experiments
made with those species to our field of study are extrapolated,
without making the corresponding ones matizaciones, the only thing
that we are doing is confu$AB ___
Validity to observations done with birds of field
or domestic species cannot be given that have not been selected
for the song, in these cases yes needs hearing adults to obtain
more or less complex songs, but it is by the fact that there has
been no a selection that took care of the patterns that we used
in canaricultura of song. When the conclusions based on made experiments
are extrapolated with those species to our field of study, without
making the corresponding matizaciones, the only thing that we are
doing is to confuse to the criadores.
Like colofsn to this point, we return to repeat,
since it does not matter to us to insist time and time again on
the same, that the work of the canaricultores of song is based on
harnessing and developing the base innate of the same one, with
it we created a solid base or pattern genetic so that the
units of the respective races are able to improve the variety of
repertoire every year, always within the guidelines of selection
of the same ones and without having to resort to education with
teachers
TRANSMISSION GENETICA OF THE SONG
In this point we will reflect about a series of
questions of great interest for the canaricultor of song, although
we have to notice that in some cases one is mere hypotheses of work,
when not being able to count on a scientific confirmation of the
expressed thing. We will mainly talk about two subjects:
1) How the hereditary base of the song is transmitted.
2) Who contributes more to the song of the children,
the father or the mother.
1) How the hereditary base is transmitted of
song.
We have said that the canary inherits the innate
predisposition to make a series of indetermine turns that will be
shaped in one melodma, through the influence of factors such as
the anatomical conditions and the circumstances around which the
animal has been developed.
The information that determines the different
ones characters of the individuals are, as already the reader knows,
in the genes, which they occupy certain locus or place in
the chromosomes, which are by pairs, in diploide state Each
ancestor has contributed his prole half of his chromosomic dowry,
since the gametos or reproductive cells so single are carrying of
a haploide number of chromosomes, half of the constitution
genetics of the animal. Of the total number of chromosomes, two
they constitute the pair of chromosomes that govern the sex of the
animals and for that reason sexual chromosomes are denominated,
the rest are denominated autosomas. The number of chromosomes varies
in each species, in the man are 46, whereas in the canary are 18,
distributed in nine pairs. Returning to the sexual chromosomes,
these are denominated X and and in the case of the
mammals, and Z and W in the case of the birds. In
the mammals, the males have a sexual chromosome X and a
sexual chromosome and females have two chromosomes X
the males determine the sex of the descendants by means of
the sexual chromosome and In the birds it happens the other
way around, the males have equal sexual chromosomes both, Z
Z and the females have a chromosome Z and a chromosome
W with which they are these those that determine the sex
of the chicks. The number of males and females, on the basis of
the previous thing, would have to be in equal theory, as it is seen
in the following table:
CHROMOSOMES
|
Z
|
W
|
Z
|
Z Z
|
Z W
|
Z
|
Z Z
|
Z W
|
The previous table it is come off that there is
the same number of possibilities that males leave who of which females
leave. All we know, by experience, that the chance is capricious
and that not always it obtains the same number of males who of females.
This serves stops to give account us of which in spite of having
to observe the laws of the Genetics, often, the randomness of the
combinations causes that the results are not the wished ones and
waiting for
The song of the birds, as soon as that is perceivable
by our senses, is one of those external characters that conform
the phenotype as it has already scored throughout these
lines. The canora function corresponds to the males, the females
usually does not sing, although there are some emit a series of
sounds that remember to the review or plastic song
of the male young people, but who do not reach the tone and
the intensity of the musical song of the males, nor characteristics
that they look for in the specialized races of canaries (rate
harmony and melodma . The main cause of which
the females occur singsong it is a imbalance produced
by an excess of masculine hormones in the blood, often one occurs
in adult females after the season of young or in old females. The
fact that the transmission of the song is almost absolute prerogative
of the males takes to us to raise to us if it is a character related
to sex or a character of free transmission (whose regulating genes
are in autosomas, not in the sexual chromosomes), but conditional
by that one. The consequences of one or another position are of
crucial importance for the work of the genetic base of the song
of the canary. Lamentably, and in a plane strictly scientist, is
not possible to me to praise/pour off me by one or another position.
Nevertheless, like work hypothesis, childbirth of which the genes
that govern the song (one or several pairs), as understand it in
our liking, are transmitted bound to sex, would be located in sexual
chromosome Z genetic pattern of song would transmit
itself of the same form that any other character related to sex.
But although that hypothesis was correct, we cannot
to forget the rest present genes in the other 16 chromosomes of
the canary, that they determine as important aspects as the morphologic
or anatomical characters of the bird. We do not have either to forget
the influence the environmental factors. Two units with the same
genetic combination never would be equal by that environmental influence
(in which the human factor must be introduced).
Their morphologic characteristics do of the canary
a true box of music in which if a piece does not
fit absolutely, badly we will be able to hope that the sound is
perfect. The song canary requires of a type that will have
to be observed by the criador. Each race of canaries of song has
structure morphologic typical, that is the one that marks, next
to an apparatus of special song, the sonorous differences already
known by the fans. We will have to go to the standard of the race
that we cultivate to make the crossings. So single to say in this
respect and as characteristic general of the song canaries, his
ample pectoral capacity, like no he could be of another form, when
lodging a respiratory system very developed. In order to finish
the reference on the importance of the anatomy of the good singer
we stand out that by whom it is the genetic quality of a unit,
in which to the song one talks about, if he is not himself accompanied
of physical training conditionses and of an apparatus of suitable
song hardly he can arise.
With respect to the external or environmental factors,
he would be pretencioso to try to make a relation of all the factors
that affect the development of the canary, since it would be impossible
to enumerate them without forgetting some. For that reason we will
say that the criador must favor the correct physical development
of its units, considering that in this one influences from the form
in which the female fattens, to the slightest cold. Also we will
have to try, like already we have said several times, that nothing
can turn aside to the canary young people of its review.
2) Who contributes more to the song of the
children, the father or the mother.
Between the canaricultores we found two possible
answers to this question:
On the one hand, we found the one that I call
traditional position that counts on a great number of defenders
and that during long time has been the majority answer in our liking
to the raised question. The followers of this position maintain
that it is the female the one that more influence has in the song
of the children or, in other words, the one who greater information
contributes to its genetic pattern of song is not
strange to hear or to read that the female influences in 60 0
/ 0 or more in the song of its sprouts.
On the other hand and being based on the knowledge
scientists, in special in the Genetics we found one second
position that, as opposed to the previous, devoid answer of scientific
foundation some, explains that the canary, like all alive being,
receives to equal parts the genetic information of its ancestors.
The logical consequence of this is that the influence in the song
of the children is distributed to equal parts, in theory
between both parents. Another thing is that by morphologic
factors or external factors the song of the young canary has moved
towards one or another side. Thus, for example, when morphologically
the son looks itself more like one of the ancestors, whose genes
will have dominated to those of the other, or, also, when this one
copy melodma of other units, of the paternal or maternal line.
Dominancias of the genes can occur that govern
the inheritance of song of one of the reproducers, subject of which
is left much, not to say everything, that to study, but this as
much happens with respect to the genes of the mother like a those
of the father. Any general rule does not exist that supports that
the mother has more influence than the father in the song of her
descendants, nor on the contrary. When the inheritance of an ancestor,
in the aspect canoro, premium on the one of the other, must to circumstances
concrete, that does not admit generalization.
Those that they defend the preeminence of the
maternal inheritance on the paternal one in the song make when the
empirical and logical stating fact that the song of the children
is different from the one from the father. But that is thus because,
in most of the cases, it is the fruit of the interrelation of both
inheritances, independently of which prioritize in the tactical
mission, because the female does not contribute more than male.
When we crossed a green canary with a yellow canary occurs an intermediate
inheritance, product of which the resulting units pmos or they are
stained, the distribution of the lipocrsmicas zones or melanicas
take place at random, are greener units and exemplary more yellows,
in addition, sometimes, appear exemplary green or yellow. In the
previous example, we can say that the maternal inheritance influences
more in the color of the descendants to present/display this one
yellow zones in the plumage. In the same way, we see that there
are canaries product of that crossing in whose prime plumage a color
or another one, without there is another reason, in principle, that
the chance stops it. The same it happens with the genetic base of
the song of the canary, the chance will determine that it dominates
to the maternal line or the paternal one, or that is a codominancia
or intermediate inheritance.
We can summarize all the saying until now saying
that there is to remember always the theory, but also must consider
that the theory is that, theory, and that in the reality not always
one is fulfilled, especially when we spoke of Genetics Let
us imagine for a moment that we know all the characteristics that
can contribute parents to their descendants, hopefully outside possible,
in this assumption it would happen just like if we know all the
numbers that are going to integrate the Fat wished one of
the Lottery of Christmas but we ignored his final order. The
chance is capricious and no matter how much the human ego
laments it, it is not in our hands the total control on the mechanisms
of the inheritance. Nobody can know, with absolute certainty, when
doing a crossing, if the product of the same one is going to be
good, mediocre or bad. As usually it never is said " is
known of where the hare can jump ".
IMPOTANCIA OF THE METODO IN THE CRIA
As anything they serve all the knowledge that we
have, or we let have, if we are not able to apply them in the young
of a coherent form. There is the importance of the method, that
shines by its absence in most of the deposits of canaries of song.
In effect, to the criador it interests to him to obtain good canaries
immediately, little concerns the quality to him of the units that
it has if the first year they do not give champions him. The eternal
problem of the canaricultura is that the criador is not centered
in the work of its units, every year we changed the reproducers.
It is easier to throw the fault to the canaries that we have used
like ancestors and to the criador who us have sold them, who to
enter an objective and detailed analysis of the possible causes
of our failure, and are that we are scared to discover that, in
fact, the only problem which it exists is the own criador, that
blinded by the great power of which all it knows it or by its inexperience,
does not have been to the height necessary to remove benefit to
the units that it had. Nor that to say has this type of canaricultor
no it obtains quality unit unless the goddess Fortune appears
to him, which does not happen quite often, in any case, in these
cases, the quality disappears of the same form in which it appeared.
In canaricultura of song, the criadores described in the previous
lines are those that doubt the heredabilidad of the song of the
canary and those that they resort, consequently, to the use of teachers
to educate to the canaries noveles.
The importance of the method is in which it
is going to be the notebook of instructions that we are going to
follow in our work. canaricultura does not have to be understood
like a short term work, hardly we can make a serious work if we
separated from the way previously drawn up by bad initial results.
We will have to mark an objective to us, since of tastes there is
nothing no written, each criador will have to consider this question
and once we have it we will draw up the necessary ways for its attainment.
Selection And Crossings
In the nature, the improvement of the different
species animals and vegetables take place by means of the selection
natural The Mother Nature in her infinite wisdom,
is in charge of which only the best one equipped survives and they
reproduce. By cruel that this seems, the species have guaranteed
so only it passes of generation in generation the more appropriate
genetic material to obtain his perpetuacisn in a world, like ours,
in which the conditions of life are more and more difficult for
the wild species
In captivity, many units that in the heat of
freedom would not have possibility some of surviving, obtain it.
This has allowed us to obtain mutant specimens of great beauty,
whose days they had been counted in freedom, to the supposition
the mutation, generally, a decrease of the possibilities of camouflage
of its carriers; so it is the case of the mutations that affect
the color of the plumage of our canaries, how much it could hold
a yellow or white canary in freedom without being grass of the pregivers.
If the produced mutations or variations do not harm the quality
of life of the animals, we can say, in principle, that they are
beneficial. On the other hand, all mutation or variation that causes
a decrease considerable of the quality of life of the animal she
is negative and it must be avoided that their carriers reproduce,
under pain to perpetuate ill ancestries animals the condemned to
a life suffering. This it is the foundation of the artificial
selection or zooticnica to eliminate of the young all that
unit that does not reunite the minimum requirements necessary to
assure descendants it heals and without tares.
However, it is necessary to distinguish the
selection on the basis of sanitary reasons, of the selection of
race unit, in which, besides to consider first, it is necessary
to observe a standard of beauty previously determined by
the criadores. To this last one it would be necessary to add the
personal preferences of each criador, his particular form to understand
the race that cultivates within the parameters established by the
standard of the same one. In summary, the zooticnica selection
must be made in attention a:
1:) the quality of life of the units (elimination of the young
of the ill units or with tares).
2:) the standard of the race.
3:) the preferences of the criador, within the limits of the
standard
Applying the previous thing to the object of
the present work, we will have, simply, to observe gathered in the
different Codes from song or standards at
the time of making the crossings.
The crossings to make with the units that we
have, will be directed to harness not wished the dear characteristics
and to the progressive elimination of, by means of the discrimination
of the units that separate from our ideal type (those
that they show to some physical tare or defect in the song). We
will never have to use in the reproduction exemplary that has a
defect, unless they are essential for our plans of work. In this
last case, so single the experienced criadores more are enabled
to carry out its reproduction successfully.
In the judgments of the aids he is not infrequent
to see how exemplary that they have a series of lack or defects
in their song gets to have high scores and that even obtain some
prize. It is necessary to distinguish what is the valuation of the
song of a canary in an aid of which it is the valuation of the same
one facing the young. In the aids, the judge must limit itself to
apply a regulation or standard and to value the
song of the canaries in attention to the same one, the most important
considerations at the time of the reproduction is most of the times
outside the strict work to judge a canary in the aids and is for
that reason reason why often the scores with the true one do not
agree was worth of a canary like reproducer.
Let us imagine two canaries, one of extensive repertoire
that shows a great dominion from its score but that in another one
it cannot develop the turns of satisfactory form (with defects)
and less reduces musicalidad to the assembly and another one of
repertoire varied but made of excellent form and without lack some,
yet, we suppose that this second unit has less score than first.
Exemplary what is adapted like reproducer. Without a doubt some,
and in most of the occasions, we must use in the young the second,
that one that although a varied song does not have too much has
a repertoire without defects that will allow us to make a work with
greater guarantees of success, since it is easier to obtain exemplary
from high selection starting off of the quality that not of the
amount. If our canaries have a song of quality and without defects
we will not take much in obtaining a greater repertoire. On the
other hand, if we left from a unit that has defects in its song,
most normal is than these are multiplied in the descendants if the
criador is not the sufficiently capable thing at the time of raising
its objectives in the young.
The conclusion of previously exposed is that we
do not have to be deceived by the scores obtained by ours unit,
we do not use these like main element of judgment at the time of
selecting our reproducers, we put in front an analysis cold and
objective of the canoras and morphologic characteristics of each
canary. Sometimes, the canary with greater score is not potentially
the best reproducer. The secret of the success in the
young of song canaries is based enormously on being selective with
which it lies down to raise.
Once made the selection of the reproducers, in
attention to the criteria above exposed, it is necessary to see
the different ones possibilities that we have at the time of making
the crossings. We are not going to indicate schemes general of crossings
since we considered that each deposit has problematic a different
one and the valid schemes in can not be it in others, always taking
care of the units that are controlled and its concrete characteristics.
We will limit ourselves to do a small one and simplified classification
of some of the different types from crossings that we can make with
our canaries. If the reader collates the following classification
with which they appear in manual of Reproduction the Animal
that will occur to account of are some divergences, fruit of our
simplifying intention:
Consanguineos Crossings
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Crossings NonConsanguineos
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Direct
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Of refreshment
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Indirect
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By similarity
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Of correction
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Consangumneos Crossings: They are
those made between unit to which they unite familiar loops, or,
said of another form, originating units of a common trunk of ascending.
We will call direct consangumneos crossings to the made
ones in order to fix the characteristics of determined units
by means of ascending crossings linear (with parents, grandparents...),
descendent (with children, grandsons...), or collateral (between
stepbrothers). Indirect consangumneos crossings will be
those by which it looks for not fixation of the characters of a
concrete bird but the own characteristics of a line of song
understanding like so a family of canaries with genetic characteristics
own and determined, that totality of the pertaining units to her
is pronounced actually. The indirect consangumneos crossings
usually are made when the unit that is going to be object of
a direct consangumneo crossing it dies and it is
replaced, like bad minor, by another unit of the same family (it
is the case of the crossings between cousins and uncles and nephews,
in his different degrees). These crossings to which we have denominated
indirect are not recommendable, safe in case of necessity,
to the supposition, in certain form, a deviation of the work that
is being made, generally based on the concrete units and not in
the families or lines of song.
Nonconsangumneos or opened crossings:
In canaricultura of song they are used to initiate new
line of song or to refresh a already existing
line in which the consanguinity begins to be excessive. We distinguished
between the refreshment crossings themselves, whose
objective is to diminish the consanguinity index; crossings by
similarity that they try to harness the characteristic or common
characteristics of both units, at least in the aspect that interests
to us; and the correction crossings based on the law
of the compensation and that consist of the mating
of two units of different characteristics in order that these compensate
and to eliminate therefore the nondear characteristics.
THE CONSANGUINITY
The consanguinity is admitted by practically most
of canaricultores as one of best means to work the song canaries.
It helps us to fix the characteristics wished and it allows us to
create different lines of song, but also it has his disadvantages.
By means of the consanguinity we fixed and we caused the presence
of the virtues, but, if the criador does not know to dose it, also
we caused the appearance of those hidden tares and their perpetuacisn.
It is a proven fact that the abuse of the consanguinity it brings
ominous consequences, for that reason it is necessary to know in
what moment for introducing the refreshment crossing that
will not be when they begin to appear the problems, since then it
will be late, but at the previous moment at which we created necessary:
there it is where one demonstrates to the experience and the ability
of the criador.
The suitable use of the consanguinity produces
benefits, more or less immediate, that with time go being smaller
until a stagnation in the improvement takes place, followed of the
feared consangumnea depression. The refreshment must be
made before that phase of backward movement takes place, because
of not being made therefore the hopes save the line they
are reduced to the minimum.
I believe that general rules on in what cannot
occur concrete moment it is necessary to introduce the refreshment
each line of canaries has a different strength. There is unit
that after a first consangumneo crossing already they leave tared
and other that in spite of years of consanguinity still do not show
their negative effects; everything depends on the strength of the
units whereupon we initiate the work and of the negative characteristics,
in all the aspects, that carry in their genotype.
Let us have presents some of the effects of
the abuse of the consanguinity:
- physical Tares: mainly bony problems and malformations
in the legs.
- general Weakness: considerable reduction of the
defenses of the organism and its consequent predisposition to suffer
all type of diseases.
- Problems of fertility and the high mortality
of embryos and pichones.
- Considerable decrease of the aptitude for the
song.
- epilipticos Attacks.
The evils avoidable all of them, that make more
necessary still, to prevent them, the aid of the experienced criadores
to noveles.
IMPORTANCE OF THE PEDIGRIES
The genealogical use of the pedigrmes or
trees more and more is extended between the canaricultores,
it is as it is the race or variety that cultivates. The criadores
of song canaries are not an exception and the pedigrm has become
by own merits an indispensable element the interchange of unit between
the canaricultores of elite.
It is certain that this practice still not is made
by totality of fans, but number of his defenders increases and will
arrive day, at least that would be desirable, in that our pedigrmes
will have the same importance and validity that they have, of putting
an example, in the world of the young of race dogs. Without a doubt
it is a field in which the ornithological associations and federations
will have much to say, since they are those institutions those that
will have to determine the statutory frame on which is to be based
the registry of the units of each criador that is interested in
giving official validity to the pedigrm of its canaries. The pedigrmes
at the present moment, when not having the official endorsement
of associations and federations, are based on the good faith of
the canaricultores, reason by which we must trust the same one.
The pedigrmes are, in addition, a weapon extremely
effective against I pull ahead of excessive secrecy that invade
many deposits and against the insecurity in which many fans noveles
move when acquiring his first canaries of race, when lacking sufficient
guarantees with respect to the racial purity of such. But mainly,
of the pedigrm extremely valuable information can be extracted on
its proprietor. We can know its ancestry, how it works the criador
(what type of crossings has made), the degree of consanguinity of
the animal and another type of useful information at the time of
making our own crossings. If in addition we know the units well
that appear in the pedigrm and its characteristics more excellent,
we will be able to extract the characteristics that prioritize or
would have to prioritize and, mainly, in attention to the object
of this work, the lines of song that predominate in the canary object
of analysis.
Naturally, if we do not have a great knowledge
of the units that consist in the pedigrm or this one is not accompanied
of informative or clarifying notes of the criador, to facilitate
the interpretativa work, which we will have in our hands will not
be more than a card in which there is written a succession of numbers
of curtains ring, that outside informing to us on the type of made
crossings, will not absolutely be used to us for anything, to only
have a guarantee on the racial purity of the unit at issue, that
in some cases will not be little.
CONCLUSION
Throughout the preceding lines we have dealed with
subjects related to the canaries song in general, and, mainly, we
have forgotten the interminable and habitual discussions that surround
to this pretty branch of the Sport Ornithology and restrain their
development. I hope that this modest work serves as precedent to
direct in another direction the followed tonic lately and to be
able to strengthen the qualitative canaricultura of song and quantitatively.
Personally, I consider that the fans of good
faith must take care in enriching and fortifying the common loops
that they unite to all those that we loved the song of the canary
in nobodies of its races and canoras varieties. There are many things
that unite to us, more of those than many think, and our future
is, in certain form, interlace, for that reason we are in the obligation
to understand and to help to us us in everything what it is possible
to give back to us to the canaricultura from song to the place that
occupied not many decades ago.
© Miguel Angel Martín Espada
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